Photograph: Gary Gross The Richard Prince photograph of Brooke Shields that Tate Modern recently withdrew from the exhibition Pop Life, after Scotland Yard suggested it might break obscenity laws, travelled across the Atlantic carrying a long history of controversy. It shows a year-old Shields, oiled and glistening, naked and made-up, posing in a marble bathtub with a seductive danger that belies her years. It tells you everything about what we fear and desire. Intent on questioning notions of authorship and originality, he rephotographed an existing image that had already inspired two years of legal debate. It was one of a dozen images of Shields designed, according to Gross, to reveal the not-so-latent sexuality of the prepubescent child.
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Teri took the money, but violated the agreement and gave birth to Shields. Her autobiography, On Your Own, was published in Based on that transcript, The New York Times published a light-hearted op-ed piece intended to tweak the claim that Princeton produced superior, well-rounded graduates. Noting that Shields "got all As and Bs, and obviously paid attention to her school work", it claimed she "got cheated" because Princeton did not require her to take any classical studies, medieval, modern or American history, nor any course in mathematics, philosophy, economics, political science, world literature, or science with laboratory experience.
Yesterday critics called for the image of the star to be withdrawn from the new exhibition, which opens tomorrow, saying it was unacceptable. They claimed the picture would attract paedophiles to the gallery and said organisers should have taken advice from parents before deciding to show it. The exhibition also features huge sexually explicit images of penetration and works made from the pages of pornographic magazines. Then and now: A year-old Brooke Shields in the film Pretty Baby left , and at a party last month at 44 right.
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Brooke Shields at 14 in Blue Lagoon. Image via Columbia Pictures. Today the vast majority of people in countries such as the United States and Australia have sex prior to marriage. This could be one reason why girls continue to be sexually fetishised, as they symbolise an innocence and purity that most young women are no longer seen to represent. While some community groups contend that sexualised images of girls might support the behaviours and actions of paedophiles, there is a more pervasive issue at stake here for all women.
In the magazine, a ten-year old Brooke is shown wearing makeup, her glistening body posed naked in a bathtub. At the time, Gross was working on a project for publication entitled The Woman in the Child, in which he wanted to reveal the femininity of prepubescent girls by comparing them to adult women. Her mother signed a contract giving Gross full rights to exploit the images of her daughter. In , however, Brooke Shields wanted to prevent further use of these pictures and tried unsuccessfully to buy back the negatives. A legal battle then began between Shields and Gross with Gross being sued for a million dollars.