Film and Media American Honey, from writer and director Andrea Arnold, does something startling: like my favorite road-trip movie, Little Miss Sunshine, American Honey rolls out a vision of many different, ordinary Americas. But American Honey stays closely bound to its intriguing and unpredictable protagonist, a young black woman who suddenly finds herself with a new world at her fingertips, and she gives the movie its undeniable spark. American Honey follows Star Sasha Lane, electric in her debut role , an eighteen-year-old Texan who has nothing to lose. We first see her dumpster diving for heat-soggy chicken, with her two young charges, coaching the younger of the two how to catch the heavy, whole chicken she salvages and tosses down to him, complete in its plastic wrapping.
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Color, min. An A24 release. A disturbing realization must be made about American Honey. It is a lesson most people have to learn sooner or later, but Arnold sets the bar abnormally high for her protagonist, Star Sasha Lane , who, though feisty, plucky, and winning, is seemingly a girl with a violation wish—as politically incorrect as that sounds. The girl on the bus: Star Sasha Lane bonds with the other kids in Krystal's sales crew but her yearning for a home marks her as an outsider.
In this pivotal scene, Star is standing up in a stolen Cadillac convertible while her lover Jake drives into the fading sun. Jake just robbed a group of rich cowboys at gunpoint while Star was trying to sell them magazines, and the couple escapes into the sunset in the stolen car in which the two would have sex for the first time. American Honey is all about what it feels like to feel like fucking America, and that is a complex picture. A British director whose films have always focused on class, otherness, yearning, and the tension between nature and the corruption of capital, Arnold transposes her usual themes from the UK to the American landscape with explosive life and power in American Honey. She uses the simplicity of the American Dream to expose the reality of the American nightmare.
"You're currently renting your room from me. I think with the circumstances as they are, it would be best if you moved out. Before Christmas would be ideal.
Technically, with how the lease agreement is worded, I could evict you. Please, don't make me.
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"Holly, I'm shocked that you would even suggest such a thing. These are good, wholesome people. Here I thought you were such a good girl.
" I just snorted and rolled my eyes at him.
I did what I'd been raised to do by my parents and the Bradleys. I was there for you, if only as a shoulder to lean on. I'd had no intention of. " "Seducing?" "Okay, yes, seducing you. I only wanted to bring you home where I knew you'd be comfortable.
They didn't help this time. I was just. miserable. I pulled the blanket tighter to my chin, croaking out, "Please, just leave me alone. " Chris laughed, and I wished I had the strength to throw something at him.